Michael Tumelty
The Herald
The Joy of Savourna Stevenson’s music, I have always found, is that it is direct music, from the heart and to the heart, absolutely open and totally honest in its integrity and expressive qualities…The concerto, full of whole-tone and pentatonic implications, and lovingly played by Finch with expressive delicacy and an alluring sense of elan, is actually a voluptuously Romantic piece, unashamedly gorgeous in its first movement, with more than a hint of tango, a wonderfully touching sense of yearning, perhaps melancholy, in its second, and a darker, striking flavour of Bernard Hermann in the harmonies and mood of its finale.